Showing posts with label deadwood. Show all posts
Showing posts with label deadwood. Show all posts

Tuesday, November 29, 2011

Bonsai tree: Preparing trees for show


Source: Bonsai Tonight
Preparing trees for show

Late fall through early winter is show season in Japan. Depending on how many trees a bonsai professional has to show – or sell – October through February can be a busy time. Within just three weeks, I helped with trees bound for four different events. Show preparation can entail anything from needle plucking to repotting to detail wiring. And once show trees are ready to go, work begins on the sale trees.

My favorite task during the season is show wiring. On several occasions, I’ve been given a tree and told to make it look pretty without using heavy wires. Depending on the tree, this can be a confounding task. The first tree I worked on was a cascade black pine.

Black pine - before clean up and wiring

Japanese black pine

After removing old needles and trimming a few long needles, I began tweaking the branches, most of which were wired last year. I quickly realized I didn’t have a great idea of what I was trying to do so I let Mr. Tanaka complete the work on the tree. When the branches were set, I oiled the pot and applied moss to the surface of the soil. Here’s a photo of the finished tree.

Show prep complete

Japanese black pine – show prep complete

The next tree I worked on was a large black pine with long needles. The tree was in good shape, but stray needles and branch pads that lacked definition detracted from the overall look of the tree.

Black pine - before clean up and wiring

Black pine – before

I began by removing needles that grew at undesirable angles – usually downward – and wiring a number of small branches to better define key branch pads. When I finished, I had Mr. Tanaka take a look.

Ready for show

Happy with the result

Tanaka tweaked a few small branches and added a guy wire – for the most part, subtle changes. Here’s how the tree ended up.

Show prep complete

Show prep complete

Sometimes simple tasks can make a big difference. The deadwood on the white pine below was quite dark before I treated it with lime-sulfur.

Treating deadwood with lime-sulfur

White pine with lots of deadwood

I also plucked stray needles from a large white pine bound for Taikan-ten.

Cleaning the surface of the soil in preparation for moss

Needles plucked – getting ready to add moss

On the other end of the spectrum, some trees were wired from bottom to top. This isn’t normally done just before an exhibition, especially ahead of shows like Kokufu and Taikan-ten. The practice can, however, be acceptable for regional shows – especially if the tree’s owner requests it.

Tanaka and Peter wiring a white pine bound for Meifu-ten

Mr. Tanaka and Peter Tea working late to finish wiring a large white pine

The show prep that really caught my attention was the work that went into an old multi-trunk trident maple. The first step involved removing all of the leaves.

Mr. Tanaka removing leaves

Mr. Tanaka removing old leaves

I would have thought this job wouldn’t take a long time, but when there are hundreds of leaves on hundreds of branches and great care must be taken to avoid breaking branches, the task can take a surprisingly long time. It’s a perfect job for Mr. Tanaka, a third-year apprentice at Aichi-en who by coincidence has the same name as our oyakata.

Once the leaves were removed, Mr. Tanaka pulled out an electronic toothbrush and scrubbed the branches with water to remove green build-up wherever it appeared.

Cleaning branches with electric toothbrush

Electric toothbrush technique

Many branches to clean

So many branches

The result was a beautiful trident maple. Some moss and an oiled pot completed the work, and the tree looked great at Taikan-ten. I’ll post pics of these trees as exhibited before long.
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Tuesday, October 25, 2011

Bonsai tree: Sequoia deadwood


Source: Bonsai Tonight
Sequoia deadwood

Deadwood, beyond fire scars, is not a major characteristic of mature sequoia. It is, however, a major characteristic of their environs as dead trees take a very long time to decompose. The beautiful and sinuous grain of the deadwood offers suggestions for our own deadwood carving. Nature, it seems, always gets it right.

Sequoia deadwood

Toppled tree at Grant Grove with hollowed out center – it’s big enough to walk through

Sequoia deadwood

Side view, same tree

Sequoia deadwood

Nebari from underneath

Sequoia deadwood

Wavy wood grain

Sequoia deadwood

Rootbase of Auto Log – a toppled tree on which cars used to park

Sequoia deadwood

More Auto Log

The other prevalent deadwood in the Park results from fire damage, of which, there is plenty to be found.

Sequoia deadwood

Smoldering landscape

 Sequoia deadwood

The apex of Dead Giant

Sequoia deadwood

The trail at Redwood Grove leads through the hollow trunk of this tree

Sequoia deadwood

Looking down the barrel of a gigantic fallen sequoia

All of these sites are easily accessible by car and by foot – see National Park Service map of the area for details.
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Friday, September 30, 2011

Bonsai tree: Aichi-en bonsai nursery


Source: Bonsai Tonight
Aichi-en bonsai nursery

Bonsai professionals in Japan commonly follow one of two paths – they can become bonsai sellers or bonsai creators. The proprietor of Aichi-en Bonsai Nursery in Nagoya belongs to the latter group.  Junichiro Tanaka is a fourth generation bonsai professional. His great-grandfather Sukijiro started the nursery at 17 years old by making the bold move of planting 1,000 ume. It’s a fun story – you can read about it on the Aichi-en website.

Although Aichi-en is best known for black pine, Tanaka is equally skilled with deciduous varieties. Here are some photos from Boon Manakitivipart’s visit to the garden earlier this year.

Momiji

Momiji

Kaede

Kaede

The sheer number of trees at Aichi-en is impressive. I have yet to visit the nursery, but I’m planning to visit soon.

Bonsai

A sea of pines

Bonsai

More pines

More bonsai

Yet more pines

Bonsai

And another conifer bench

Deciduous bonsai

Deciduous bonsai

How does Tanaka take care of so many trees? With help from the likes of Peter Tea, his newest apprentice. Peter has been writing a fantastic blog about the experience – I highly recommend following along at peterteabonsai.wordpress.com.

Goyomatsu

Goyomatsu with amazing movement

Goyomatsu

Goyomatsu

Kuromatsu

An interesting Kuromatsu

Kuromatsu

Kuromatsu with not one but two right angles in the trunk – you don’t see that every day

Kaede

Kaede

Matsu

Matsu (Bob King photo)

Goyomatsu

Goyomatsu (Bob King photo)

Boon and Peter contemplate a kaede

Boon and Peter contemplate awesome kaede ramification – really awesome ramification (Bob King photo)

Momiji

Momiji (Bob King photo)

It’s been fun working with other people’s photographs. Photos offer a glimpse of other people’s perspective. Among the photos of the outstanding trees at Aichi-en, I found several close-up shots of pine deadwood.

Pine deadwood

Pine deadwood

I’ve heard Boon talk a lot about the importance of the character of deadwood. It’s one thing to reveal shari by removing some bark or perform heavy carving to add interest to a piece of deadwood, and it’s another to display deadwood with age. The above photo is a great example of aged deadwood.
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Friday, September 23, 2011

Bonsai tree: Takeo Kawabe’s bonsai garden


Source: Bonsai Tonight
Takeo Kawabe’s bonsai garden

When I saw the following photos from Boon’s visit to Japan, there was no doubt about whose garden they belonged to. I simply do not know that any other garden contains comparable material.

Carving project

Carving project

Ichii

Ichii

Bob King offered me additional photos from the same visit, and again, the photos were unmistakable.

Shimpaku

Shimpaku (Bob King photo)

Satsuki

Satsuki – massive trunks! (Bob King photo)

The toolshed, while not a giveaway, offers yet more evidence.

Kawabe workshop

Bonsai wire and tools (Bob King photo)

Kawabe workshop

More bonsai tools – note array of power tools throughout

The garden belongs to Takeo Kawabe. Kawabe studied with Kimura for 12 years before heading out on his own in 1989. He is the creator of many famous bonsai tools, including grinders, chain-saw like devices and most recently, a line of bonsai scissors. His garden contains some of the best “wood” anywhere. His impressive carving and grafting skills have combined with great artistic vision to produce some truly outstanding bonsai. He is, in many senses, where good bonsai comes from.

Kawabe Takeo

Kawabe Takeo (Bob King photo)

If you get the chance, I highly recommend visiting his garden or checking out his book – Bonsai Craftsman (His Soul and Footsteps). If anyone knows where the book might be available outside of Japan, do share!

Shimpaku

Kawabe’s famous Shimpaku – it twists like a tornado

Shimpaku

Beautiful deadwood
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Tuesday, September 13, 2011

Bonsai tree: Suzuki’s bonsai workshop


Source: Bonsai Tonight
Suzuki’s bonsai workshop

It’s always fun to see other people’s workshops. Shinji Suzuki’s was well organized when I visited in 2009 – and that was when it was still under construction. Now fully completed, the place is one of the tidiest I’ve seen. Here are some more of Boon Manakitivipart’s photos from his visit to Suzuki’s garden in February, 2011.

Workbench

A plethora of root hooks

Workshop

There’s a tool in there I did not expect to see

Bonsai tools

Basic bonsai tools – why the second pair of scissors?

Wire holder

Handy wire holder with plenty of copper wire

Workshop

A far cry from my workshop

Workshop

Seriously

Pine

Awesome material with crafty stand to hold the tree in the new potting angle

Pine deadwood

Deadwood detail

Funny that such beautiful trees come from such a beautiful workshop – or is it? Maybe cleaning up my workshop will lead to better trees in my garden. It’s worth a try!
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